Enzo Decaro Nunzia Schiano - L'Avaro Immaginario

Seven scenes, a prologue, and an epilogue. It is a journey into the theater, primarily Molière's theater, but not exclusively. It is also a journey through time, to the 17th century, a century full of wars, epidemics, and great tragedies, but also of deep insights and revelations that are not confined to just "that time." It is also the real and imaginary journey of Oreste Bruno, from Nola, and his family, which is also his traveling theater troupe: the typical "wagon of comedians" so dear to both Peppino and Luigi De Filippo. It is the journey to Paris, to the theater, to Molière. But also an escape: from the plague, from a terrible epidemic that forced them to embark on an adventurous journey toward a dream, a hope, or just salvation. The encounters along the journey, surprising but not all pleasant, the gradual physical approach to Paris, to Molière's theater, the strong connection between the cultural and theatrical world of Naples of that time (with Pulcinella becoming Scaramouche) and the French one, the heavy legacy of the thoughts of a priest uncle of Oreste Bruno, and Molière’s death on stage just before their arrival in Paris, will make the journey of the whole “family troupe” truly unique—artists of comedy but above all “human” people, just like in the great comedy of theater, where "everything is artificial, but nothing is false."
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