Here's the translation of the Italian text to English:
**Tuesday, September 16th, at 11:00 AM: Press conference for the 2025/26 “Fuoriclassici” season of the Teatro Serra di Napoli. In Fuorigrotta, at Via Diocleziano 316. Info: teatroserra@gmail.com, 347.8051793.**
**The Teatro Serra di Napoli is celebrating its tenth year of activity with renovated spaces and new laboratory and cultural proposals to continue the journey begun in 2016 to create a training center, a talent incubator, and a promoter of the most interesting voices in contemporary dramaturgy, to narrate new and ancient instances. This project leads to the “Fuoriclassici” 2025/26 season program, which will be presented on Tuesday, September 16th at 11:00 AM at the theater's headquarters, in Fuorigrotta, on Via Diocleziano 316. Info: teatroserra@gmail.com, 347.8051793.**
**Twenty shows from October to May, all during the weekend – Friday at 9:00 PM, Saturday at 7:00 PM, Sunday at 6:00 PM – a proposal that brings together themes of current interest and revisited classics and will, for the first time in the history of the Phlegrean theater, feature performances by the school's students. The first show on Friday, October 10th, will be "The Rose and the Nightingale," the directorial debut of poet and musician Mario Severino, based on Oscar Wilde's tale.**
**In the rest of the program: the timeless magic of the classic Neapolitan repertoire with Elisabetta D’Acunzo, the tragic charm of Luigino and Fortuna's story in “La Venere dei terremoti” by Manlio Santelli, adapted by Roberto Azzurro, the unrest, insecurity, and desire for rebellion of women in the texts of Anita Mosca, Simone Somma, and Roberta Astuti, Francesca Esposito, Piera Saladino, alienation explored by Filippo Stasi, the revision of the Trojan myth by Gennaro Esposito, the questions about love recounted by Patrizia Eger and by Giacomo Casaula and Laura Cascio with the words of Gaber, the tribute to Led Zeppelin, the homage to Antonio Petito by Angelo Perrotta and Melania Pellino, the tribute to William Shakespeare by Toni Garbini who transforms "Macbeth" into a site-specific lab on the word, the bourgeois drama inspired by René de Obaldia by Davide Rossetti, the thriller by the Genoese Igor Chierici and Luca Cicolella, the power of nature represented by the "In-Corti da Artemia" 2025 Award-winning ImparaNoia Collective, the rawest actuality in two finalist works at the latest edition of the National Prize “Serra-Campi Flegrei” – next final on Monday, October 6th at 9:00 PM – the testimonies from the war collected by Roman Giulia Nemiz Gregory and the story of love, illness, and stigma written by Alessio Palumbo.**
**"The wise man has a homeland everywhere," said Seneca, but sometimes staying and enduring in a place, especially in difficult times, requires the necessary courage and sowing the future. Among the new things of the new season is also the expansion of the structure, which during the summer underwent significant renovation work, made necessary by the damages caused by bradyseism, which led to the creation of a new venue and the opening of an additional entrance. This logistics will allow increasing workshops and hosting exhibitions, meetings, and screenings, diversifying activities. An operation that has – literally – cemented the artistic partnership with the “Turm 20” Theater in Linz, Austria, where Pietro Tammaro – founder of the space with Mauro Palumbo – has performed in the Shakespearean summer season for years. His artistic direction organized a fundraiser covering 12% of the expenses incurred for the interventions.**
**"Fuoriclassici" Program**
**The season starts on Friday, October 10th, with “The Rose and the Nightingale,” an adaptation of Oscar Wilde’s tale and directorial debut of poet and musician Mario Severino. With Miriam Della Corte, Giuliana Ciucci, Andrea De Giuseppe, and Nicoletta Severino (also choreographer). Costume consultation by Violetta Di Costanzo. Until Sunday, October 12th.**
**Becoming a woman in the province, assimilating the signs, the silences, the diktats of a secular society. This is the theme of “Double Mirror” by Anita Mosca, featuring Isabella Mosca Lamounier. Original music by Salvatore Morra. Paintings by Ciro Di Matteo. Scenic movements by Mariacira Borrelli. From October 17th to 19th.**
**The encounter with destiny as the common thread of a weekend that doubles: on Friday, October 24th, the drama in the form of a thriller “Call for Pheasants” by the Genoese Igor Chierici and Luca Cicolella, while on Saturday, October 25th, and Sunday, October 26th, it will be the turn of “VIPeS,” a reflection on identity in the form of a comedy based on Antonio Petito by Angelo Perrotta on stage with Melania Pellino.**
**With “Suspire d’ammore,” a serenade for guitar and voice with Elisabetta D’Acunzo and Maestro Aniello Palomba, the Teatro Serra di Napoli offers an intimate and passionate journey with one of the most vibrant interpreters of the classic Neapolitan song and theater repertoire. From November 7th to 9th.**
**From November 14th to 16th, “Les confidences entre Julie et la madame” will be staged, a satire of customs, tinged with absurdity, on the bourgeois society by the French René de Obaldia. Directed by Davide Rossetti with Salvatore Amabile and Antonio Musella.**
**From Friday, November 28th to Sunday, November 30th, the drama "August," an oneiric and disorienting piece about the female condition, by Simone Somma with Roberta Astuti will be on stage.**
**Revoking the myth, transforming and humanizing it. This is the intention of “The Fall,” a work on choice, self-determination, responsibility, and the search for the true meaning of courage, inspired by the myth of Troy. By Gennaro Esposito, featuring Enrico Disegni, Giuseppe Di Gennaro, and Sara Guardascione. From December 12th to 14th.**
**Estrangement, isolation, and alienation are the ingredients of the black comedy "Inquilini" on stage from January 9th to 11th. Written and directed by Filippo Stasi, with Mattia D’Angelo, Michele Pedata, Simona De Sarno, Daniele Arfè, and Viola Capponcelli. Assistant director Anna Bocchino. Music by Maestro Mario Autore.**
**"Through faith or through love," scheduled from January 23rd to 25th, gathers the authentic testimony of a Syrian refugee who survived a shipwreck. Written and directed by Giulia Nemiz Gregory, finalist in 2024 for the “Serra-Campi Flegrei” Award with an excerpt from the show.**
**A cry of resistance and hope, beyond illness and stigma. It’s “Amore positivo” on the program from February 6th to 8th. Written and directed by Alessio Palumbo, finalist of the 2024 edition of the “Serra-Campi Flegrei” Award with the text in the form of a short monologue.**
**With “Hold Here for a Moment” the Teatro Serra welcomes, on Valentine’s Day – Saturday, February 14th – a conversation on love in the form of a concert, to the notes of the classic Neapolitan repertoire from Raffaele Viviani to Giuseppe Capaldo. By and with Patrizia Eger, on stage with Maria Strazzullo. On guitar, Maestro Sergio Mautone.**
**From February 20th to 22nd, Giacomo Casaula and Laura Cascio will be the protagonists of “The Case of Alessandro and Maria. A Curious Re-enactment of a Story that Has Already Taken Place.” A play by Giorgio Gaber and Sandro Luporini. On keyboards, Maestro Andrea Barone.**
**For rock enthusiasts, Friday, February 27th, and Saturday, February 28th, will feature the concert “Runes of Kashmir” a tribute to Led Zeppelin with the group composed of Luca Melorio on guitar, Rita Genni on vocals, Emanuel Savarese on drums, and Giuseppe Bucciero on bass.**
**A classic of the twentieth century that never ceases to make us fall in love. From March 13th to 15th, Roberto Azzurro will tell his version of the timeless story of “La Venere dei terremoti” also known as "The Ordeal of Luigino and Fortuna" by Manlio Santanelli.**
**“Anagnorisis” the revelation. A manifesto of the identity search that traverses contemporary femininity, on the traces of mythical heroines. By Francesca Esposito, with Adriana D’Agostino and Carmela Ioime from March 27th to 29th.**
**The past that continues to speak to us is at the heart of “Woman born” a site-specific performance, freely inspired by the dark and powerful tragedy “Macbeth” by William Shakespeare, a laboratory for exploring language and its manipulations. By Toni Garbini, with Emiliano Iovine and Annaviola Fantini. Music by Zerogroove. From April 10th to 12th.**
**A redeeming theme for the Days of Liberation - April 24-26 - with the environmental, artistic, and poetic performance winner of the “In-Corti da Artemia” 2025 Award, promoted by the Roman space of the same name, twinned with Teatro Serra, “Ardea. Memories from a river.” Directed by Caterina Piotti. Sets by Lucia Fiorani. With Chiara Mirta Buono, Elisa Cardoso, Laura Casali.**
**In May, from the 15th to the 17th, Piera Saladino will tell us through “Domestike Dive” the family relationship of three women, symbols of as many eras. A Neapolitan fresco about the will of rebellion that every woman cultivates inside herself.**
**For the first time, the students of the Theater School will officially be part of the program, performing in the setups of “Quei figuri di tanti anni” by Eduardo De Filippo - from December 19th to 21st, 2025 - and “Il Re scugnizzo” – from March 20th to 22nd, 2026 – written and directed by Mauro Palumbo.**
**Contacts: teatroserra@gmail.com, 347.8051793**
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