NO

The showcase "Chronicles from the Future" takes on a pink hue with the third event in November, following the inauguration of the music section in Hall B, by presenting a new prose work that is touring Italy with its numerous merits and the expressive quality of the offering. The work is "No," written, directed, and performed by Milanese artist Annalisa Limardi.

It is noteworthy that the young director and performer won the “Claudia Lombardi” Foundation Prize for theater 2024 (CT), the “Valentina Nicosia” Fund for emerging artists 2024 (CT), and the NON ADDOMESTICABILI 2024 (TN) grant with this mentioned play, also receiving a special mention from the popular jury of the “Dante Cappelletti” Prize 2023 (RM).

The artist will be hosted during the performance days at the Teatro Asfalto apartments located on the upper floor. The play is scheduled for November 23 at 9:00 PM and November 24 at 8:00 PM, at Hall A of Teatro Asfalto (Via Dalmazio Birago, 60, LE), dedicated to contemporary prose and dance.

Below is the synopsis of the work and a brief bio of the guest artist.

"NO" explores the difficulty of defining one's personal boundaries. The performer encounters the demands of the external world, personified by a microphone: a victim of increasingly insistent and invasive questions, she finds herself unable to give her consent. From this constrained condition, her rebellion emerges: by actively taking control of the microphone, she transforms into an active subject, finally able to assert her voice and autonomy.

ANNALISA LIMARDI - Born in Milan in 1996, she began her artistic training in the Contemporary Dance Course at the Civica Scuola di Teatro Paolo Grassi, deepening her study of the body and investigating her own quality of movement. After graduating in 2018, she moved to Florence where she studied acting in the two-year Actor Course at Orazio Costa at the Teatro della Pergola. In 2020 she began her journey as a performer, which saw her performing in various Italian theaters. Since 2023, she has also embarked on a path as an author, founded on the experimentation of languages, from which her first work, titled "No," was born.
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